臟/葬 Liver/Death
科技表演藝術/Performing Arts with Technology
共同創作 Co-creation
郭子耘 KUO TzuYung
江卓豫CHIANG CHO-YU
江峰CHIANG FENG
2021
科技表演藝術/Performing Arts with Technology
共同創作 Co-creation
郭子耘 KUO TzuYung
江卓豫CHIANG CHO-YU
江峰CHIANG FENG
2021
我們從《莊子·齊物論》中的「人籟、地籟、天籟」，以及《莊子·內篇·應帝王第七》中，渾沌開了七竅後死亡，這兩個文本出發，探討社會與個人肉身之間的關係。感官可以視作為人的重要組成，然而身處於現在的世界，感官卻常使我們蒙蔽，進而忘記”自己”。
我們意圖打造一套”肉身樂器”配合表演者去進行現場的演出，藉由蜂鳴片，擴大機，等電子材料去讀取身體內部循環的運作，再轉譯為現場音效，舉例而言：嘗試讀取血液的流動聲音，當手抬起來時跟手放下時，會因為手臂不同的血液狀態而有不同的聲音效果，也有可能是去讀取消化器官的運作，肌肉的電流，心跳等等。現場預計將有一套8聲道的環繞音響，再配合表演者的演出，使觀眾在一踏入表演場地時就好似進入表演者的體內。
我們希望藉由此演出，交織觀眾與表演者的感官，嘗試探討感官的邊界是否能夠被拓展，以及該如何掙脫社會給予我們的意識標籤。
我們意圖打造一套”肉身樂器”配合表演者去進行現場的演出，藉由蜂鳴片，擴大機，等電子材料去讀取身體內部循環的運作，再轉譯為現場音效，舉例而言：嘗試讀取血液的流動聲音，當手抬起來時跟手放下時，會因為手臂不同的血液狀態而有不同的聲音效果，也有可能是去讀取消化器官的運作，肌肉的電流，心跳等等。現場預計將有一套8聲道的環繞音響，再配合表演者的演出，使觀眾在一踏入表演場地時就好似進入表演者的體內。
我們希望藉由此演出，交織觀眾與表演者的感官，嘗試探討感官的邊界是否能夠被拓展，以及該如何掙脫社會給予我們的意識標籤。
From the two passages of “Human Senses, Earthly Senses, and Heavenly Senses” in “Zhuangzi - The Theory of Things” and “Zhuangzi - The Seventh Book of Emperors”, in which Hun Hun Chaos opens his seven orifices and dies, we have explored the relationship between the society and the individual's physical body. The senses can be said to be an important part of a human being, but in the present world, the senses often blind us and make us forget “ourselves”.
We intend to create a set of “physical musical instruments” to accompany the performers in their live performances, using electronic materials such as buzzers and amplifiers to read the operation of the body's internal circuits, which will then be transformed into live sound effects, e.g., try to read the sound of blood flow when the hand is raised and lowered, depending on the state of the blood in the arm. sound effects. For example: try to read the sound of blood flowing, when the hand is raised and lowered, there will be different sound effects due to the different state of the blood in the arm. It is expected that there will be an 8-channel surround sound system to match the performers' performance, so that the audience will feel as if they are in the performer's body as soon as they step into the performance venue.
Through this performance, we hope to intertwine the senses of the audience with those of the performers, in an attempt to explore whether the boundaries of the senses can be expanded, and how we can escape from the labels that society has placed on our consciousness.
© COPYRIGHT KUO TZU YUNG 2024